Central Saint Martins, University of the Arts, London
Friday, 17 March 2017
18:30 to 20:00
Granary Square, Granary Building,
Kings Cross, London N1C 4AA
In orthodox circles, design is understood to ‘add value’ within capitalist economies, making goods more saleable and spaces more attractive. But is this too reductive?
In what other ways does contemporary design take part in the making of neoliberal economic, cultural and social processes? How can design reveal and critique its own economic practices? And can alternative economic futures be designed, or is design destined to be eternally co-opted into dominant business models?
Chair: Jamie Brassett, Central Saint Martins, University of the Arts London
Robert Feo and Rosario Hurtado, El Ultimo Grito/Goldsmiths University of London
Guy Julier, University of Brighton/Victoria & Albert Museum
Liz Moor, Goldsmiths, University of London
Louis Moreno, Goldsmiths, University of London
This event is part of the Victoria and Albert Museum & University of Brighton’s ‘Design Culture Salon’, which has been on tour lately, notably in Vienna and Shenzhen. It coincides with the launch of Guy Julier’s new book Economies of Design (Sage Publications).
This event is free, but if you are not a student or staff at Central St Martins you must book here.
Jamie Brassett is Reader in Philosophy, Design & Innovation at Central Saint Martins, where he has been Course Leader for MA Innovation Management since its inception in 2008. Recently, Jamie co-edited with Betti Marenko the Deleuze & Design collection for Edinburgh University Press as part of their ‘Deleuze Connections’ series. He is currently working on a book with Richard Reynolds on Superheroes & Excess, as well as articles on smart design, a creative philosophy of anticipation, the ontological ethics of design & uncertain futures.
Roberto Feo and Rosario Hurtado are the Post Disciplinary studio El Ultimo Grito. Founded in 1997, their studio is currently based in London. El Ultimo Grito’s work continuously researches our relationships with objects and culture. They teach and research in design at Goldsmiths, University of London. Rosario Hurtado read Economics at Alcala de Henares University in Madrid, before moving to London in1989 where she studied Cabinet Making at the London College of Furniture and completed her BA in Industrial Design at Kingston University. Roberto Feo read Sociology and Social Anthropology at Complutense University in Madrid, before moving to London in 1990. He studied Furniture Design at the London College of Furniture followed by an MA in Furniture Design at The Royal College of Art. He currently co-runs the Space and Communication at HEAD-Genève.
Guy Julier is Professor of Design Culture at the University of Brighton. His books include The Culture of Design, 3rd Revised Edition (2014) and Economies of Design (2017). He has researched and written on design and political transition in Spain and Hungary, design activism, social design and theories of design culture.
Liz Moor is Senior Lecturer in Media & Communications at Goldsmiths, University of London. She is author of The Rise of Brands (2007) and co-editor with Guy Julier of Design and Creativity: Policy, Management and Practice (2009). She is currently writing a book entitled ‘Money and Communication’ for Polity Press.
Louis Moreno’s research, teaching and writing explores the spatial relationships and political economic forces that shape the social and cultural forms of everyday life. Specialising in urbanism and spatial theory, Louis’s academic background spans literature and philosophy, architectural history, urban geography and political theory. Louis’s PhD research examined the urban incubation and architectural effects of financialised capitalism in post-industrial Britain. His current research examines the urban processes and cultural logic of financialised capitalism.